Film3:12
Solstice — 2026
A night shoot that never cuts away
One continuous take through a neon-lit set, choreographed to a live score and shot on anamorphic glass.
RecAuto
AWB
AWB
Studio
We build the digital work—that earns attention,holds it far longer,and keeps compounding
Strategy, design, engineering.
One team, start to launch.
Measured, deliberate, durable.
Built to outlast the trend cycle.
00:00:05:21
Brand Film
Photography
Commercial
Documentary
Post & Colour
Sound & Score
Aerial
Live Events
Brand Film
Photography
Commercial
Documentary
Post & Colour
Sound & Score
Aerial
Live Events
NexaDigital NepalNexa Digital NepalWe shape stories withlight and structureinto work that lasts
Nexa Digital is a film and photography studio in Kathmandu. We handle the whole chain — direction, crew, camera, post, colour and sound — so the thing you imagined is the thing that gets delivered.
Studio in numbers
240+
Films delivered
Brand films, campaigns, documentary and live capture, cut and graded in house.
14
Districts shot in
From Mustang to the Terai — a crew that travels light and arrives knowing the light and the permits.
97%
Clients who return
Most of our year is repeat work. That is the number we actually watch.
Selected work
The work isthe argument
Eight pieces from the last two years. Everything here was shot, cut, graded and mixed by the same studio — hover any frame to see it in its own colour.
Live18:40
Nightfall Sessions — 2026
Four nights, six cameras, one room
Documentary42:00
The Long Road — 2025
Eleven hundred miles, told in daylight
Photography
Atelier Nine — 2026
Autumn editorial, shot on location
Commercial0:45
Meridian — 2025
A product film with one claim
Film7:20
Hearth — 2025
The wedding film, unposed
Commercial
Northbay — 2026
Flagship launch across forty rooms
Live2:05
Aftermath — 2025
A festival finale, from six positions
Showing 8 of 8 projects.
See the full archive
Showreel — 20264K · ProRes · 03:41
Two years of work, cut down to three minutes
00:00
03:41
Services
Everything fromthe idea to the master
Concept, treatment, crew, kit and shoot days. We scout the location, book the permits and arrive with a plan that survives contact with the weather.
Typical jobs run from a one-day interview setup to a five-day narrative shoot with a full unit. We quote the whole thing up front, including contingency.
Included
- Treatment & storyboard
- Crew & casting
- Single and multi-cam
- Studio or location
Campaign, editorial, product and documentary stills, shot alongside motion or on their own. Retouching is handled in house so the grade matches the film.
Included
- Campaign & editorial
- Product & still life
- Event & documentary
- Full retouching
Offline, online, VFX cleanup and a proper colour pass on calibrated hardware. You get versions for every placement, not one master and a shrug.
Included
- Edit & assembly
- Colour grade
- Titles & motion graphics
- Delivery in every ratio
Location sound, dialogue edit, foley, mix, and original composition when a library track would flatten the thing.
Included
- Location recording
- Dialogue & foley
- Original score
- Stereo & 5.1 mix
Licensed drone operation and remote-location capture, including the paperwork nobody enjoys and the early starts nobody volunteers for.
Included
- Licensed UAV crew
- Remote logistics
- Permits & insurance
- Weather contingency
For teams who know they need something but have not settled what. We work out the idea first, then tell you what it actually costs to make.
Included
- Positioning & idea
- Art direction
- Campaign architecture
- Production budgeting
Most projects use three or four of these together. Tell us what you are making and we will say which ones you actually need.
Request the rate card
Clear storiesstay inmemory.
Average project
NPR 4.2L
Booked 202672%
Retainer from
NPR 85K
Slots filled84%
Philosophy
A film becomes memorable when a viewer can follow it without effort. Clarity is what earns the first thirty seconds; craft is what holds the rest.
Consistency turns that attention into trust. When the same visual logic runs through the campaign, the cutdowns and the stills, an audience stops evaluating and starts recognising.
Recognition is not luck. It is built from framing, contrast, repetition and a system that keeps the brand present long after the media spend has stopped.
FAQ
Questions beforethe first step
We start with a call, not a proposal. Fifteen minutes is usually enough to work out whether you need a film, a set of stills, or a plan before either.
You leave that call with a straight answer about scope and a rough number, even if the answer is that we are the wrong studio for it.
Every project is quoted as a fixed price against a written scope: shoot days, crew, kit, post hours and delivery formats, each on its own line.
Changes get re-quoted before they happen. Nothing is absorbed quietly and billed at the end.
The people who pitched it. We keep a small core crew and bring in specialists we have worked with for years — never an unvetted stranger on your set.
A selects gallery within 48 hours, a first cut inside two weeks, and two rounds of notes built into the schedule as standard.
Graded masters, every aspect ratio your placements need, captions, stills pulled from motion, and the project archived for five years.
What clients say
01 / 03
The edit came back tighter than the brief we wrote. They cut forty looks down to the nine that actually said something, and then argued for it — which is the part you are really paying for.
Contact
Tell us whatyou are making
Send a sentence or a full brief — either is fine. If there is a date, mention it first; the calendar is usually what decides whether we can take the job.
- Next availability
- Mangsir 2082
- Typical lead time
- 4–6 weeks
- Based in
- Kathmandu, NP